Guitar and other sounds echo as a beat comes in. "Kosmokrator" is the longest track at 16 1/2 minutes. Lighting it up then it turns spacey late. It kicks in around 1 1/2 minutes with drums. The guitar makes some noise early on "Meteorritt" with spacey sounds comingĪnd going. Here.There's a Post-Rock vibe because of the guitar 12 1/2 minutes in. Strummed guitar is prominant as it builds. Guitarīefore 4 1/2 minutes takes the lead. Haunting intro before this heavy yet relaxed sound takes over around 1 1/2 minutes. Crank it up ! "The Night" is 15 1/2 minutes long and divided into 4 parts. Sounds that pulse and beat as these spoken words come in in the background. Mellotron too but the main thing is that this sounds amazing. "In Space" has this dramatic intro before a beat kicks in followed by guitar. This album was mastered by Eroc at The Ranch. In fact in the liner notes Dave thanksĮLECTRIC ORANGE along with ORESUND SPACE COLLECTIVE, THE MOVEMENTS and It's pretty cool too that this one man (Dave Schmidt) band released a recording withįellow Germans ELECTRIC ORANGE back in 2006. This is the best SULA BASSANA album yet ! This is powerful, trippy, spacey and veryįar out. Posted Friday, Aug| Review this album | Report (Review #231551)Ĥ.5 stars. An excellent cosmic journey which will please krautrock as well as psych/space fans. 'The Night' is offered with a charming appeal but guarantees tension too - you can smell Sula's Stylistically on nearly the same line Kosmokrator as the last (and longest) tune follows - much more diversified though containing also culminating heavy rocking impressions, some typical vocals - rather more sprechgesang and ambient gliding parts.
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A fine straightforward grooving ride indeed with many repetitve elements plus echoing and swirling guitars all over. Meteorritt - the song title shows a nice pun at first colloquially meaning 'ride on a meteorite'. Now hereafter we are up to enjoy contemporary space rock at its best I would say. He provides lyrics and vocals for the second part and this fits closely to the mellow mood. Sole external contribution by Stefan Koglek from the band COLOURHAZE. Partially grooving but also trippy floating this song is ultimatelyĭedicated to the psychedelic guitar! A wonderful melodic piece of work where you will detect the Divided in four parts it undoubtely makes out a Title song the album gets going at the latest.
With hypnotic rhythm elements where Sula's keyboard work is very very attractive.
Later then we are Lost In Space - this song might refer to the early 70s - krautrock tinged As for that the song even reflects a pop appeal in my humble opinion especially caused by this special beat and the synthesizer contributions.
#Cool record edit pro 9.1.2 series
Is immediately reminding me of a sound track seemingly composed for a sci-fi series like the German 'Raumpatrouille Orion' for example which started in 1966. Space appears in really retro clothes - mysterious - maybe even a little bit nightmarish. Probably this album is concipated as a time travel (didn't ask for clarification though). This is trippy basically, except some rare heavy rocking elements. Here we have five playful songs mastered by Eroc (ex-Grobschnitt) - sounding relaxed and busy at once. Cover art (painting by Frank Leweke) and track titles are obviously referring to cosmic themes. This means 'The Night' was produced at his homestudio where he manages all the instruments by himself. In spite of that he's even able to spare time enough to record complete albums on his own. Multi-instrumentalist Sula is a music aficionado as no other when simultanously collaborating with several bands/projects, organizing festivals in Austria as well as his own SULATRON record label and mail-order business. SULA BASSANA is on the way again in 2009 - this time with a vintage space rock styled album.
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